Author Topic: C6 be bop tuning  (Read 4499 times)

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banjo-guy

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C6 be bop tuning
« on: October 03, 2010, 11:49:40 PM »
I am thinking of ordering a C6 be bop tuned harmonica. I would like to start on the G that is below the lowest note of the standard tuned 12 hole harmonica. I  would call that the G below middle C. What is that note called when speaking harmonica? G? .

Could someone explain how the numbers are arrived at for the different notes. I assume that each octave gets a number from 1-4 . If that is the case would the lowest C on 16 hole be designated C1 and the lowest note of a 12 hole be C2 ?

What do you think of this tuning idea? I would love to get some feedback before I order.
Thanks in advance.

Offline Gnarly He Man

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Re: C6 be bop tuning
« Reply #1 on: October 04, 2010, 12:34:38 AM »
The low note of a standard harmonica is C4--and for a 16 hole, C3.
So G3 is the low note below the lowest note of the standard tuned 12 hole harmonica.
They don't number the first octave on a 16 and 14 hole harmonica--so C4 is the 1 hole blow.
I think this is a fine idea--I do the same thing with C7 bebop.

banjo-guy

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Re: C6 be bop tuning
« Reply #2 on: October 04, 2010, 06:36:03 AM »
Thanks Gary. Do you have an opinion on C7 versus C6 ?

Offline Gnarly He Man

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Re: C6 be bop tuning
« Reply #3 on: October 04, 2010, 10:13:23 AM »
Yeah, I like C7 better; in fact, after retuning a number of chromatics to various tunings, it's the one I like the best!
The 6th tuning is cool too; I have tried a variation where the draw chord is also a major 6th, so it's IV6/V6 chromatic.
Brendan Power has recently claimed this tuning as his own, calling it the Power Chromatic--see https://forums.SlideMeister.com/diatonic-discussion/power-bender-4124.0.html
Will Galison uses the C6 tuning but only for certain songs; mostly he sticks with standard tuning.
Bill Barrett uses C7 mostly; at least, that's what I think.

banjo-guy

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Re: C6 be bop tuning
« Reply #4 on: October 04, 2010, 01:40:07 PM »
  Why do you like the added Bb instead of the A natural?  I tried it briefly with a Bb.
  My new job has a part in it with a Db6 Th chord in one of the parts but I am thinking more long term and trying to decide how time to devote to a new tuning. Augmented seems a little less intuitive to me. I know that it's just that I have spent a lot of time on the standard tuning and have gotten into the habit of visualizing a piano keyboard as I play.
 I do like having a major chord for all the blow notes.The 7th chord on all the blow notes doesn't feel right somehow but I am sure I would get used to it.
« Last Edit: October 04, 2010, 02:07:29 PM by banjo-guy »

Gary at Suzuki

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Re: C6 be bop tuning
« Reply #5 on: October 04, 2010, 02:30:19 PM »
Bb is the first flat (key of F).
So the key of Bb can be played with only one press of the button (the Eb).
Also, the key of B can be played with only one release of the button (the E).
The chord of C7 and G9 (no root) provide a nice bed for the blues in G.
G
« Last Edit: October 04, 2010, 02:33:12 PM by Gary at Suzuki »