Hello, Alejo.
Many more people than one have said
the Chromettas are great sounding harps.
It's an opinion and a fact, that the performer,
not the Chrometta, makes the sound good or bad.
Without a performer, the Chrometta, and all other
wind instruments, are mute.
I bought a Swan #1456, 14-hole slide chromatic, about
5 years ago. It has gold-plated covers, mouthpiece, slider
parts, cover screws. It was inexpensive, and works well,
even today. It's a back-up for my Meisterklasse.
But this is a Chrometta discussion. The Chrometta 12 that
I had for about a week had the black plastic comb. I didn't
like the mouthpiece. Also, I couldn't figure how to detach
the slide spring.
From what I've read here at SlideMeister, many years ago,
you must remove the slider spring to get to the mouthpiece,
to get to the slider assembly, to get to the reed plates, or to
get to other maintenance procedures.
One or many of the Chrometta owners might reply to that
statement. They may say I'm totally incorrect. All I know
about Chromettas would fit in the period at the end of this
sentence.
I also have another similar 16-hole VERMONA slide chromatic.
I wanted to remove the mouthpiece to clean the slider parts
(they're gummed up from the prior owner). VERMONA products
were made in East Germany, from 1953-1964. Junk.
But, I'll bet a shiny nickel that any one of the Chrometta owners
would sound great on a VERMONA.
JB